Cinema Grade Plugin For Final Cut Pro

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Easy and powerful tools for filmmakers to set their films apart with cinematic colors. Amazing collection of plugins for Final Cut Pro, with. Which colour grading plugin is better for Final Cut Pro X? I'm considering mFilmLook (by Motion VFX) vs Cinema Grade Pro (by Color Grading Central) I prefer Cinema Grade over mFilmLook, but I also have Color Finale 2 Pro.

Turn your videos into movie magic.

With iMovie for iOS and macOS, you can enjoy your videos like never before. It’s easy to browse your clips and create Hollywood-style trailers and stunning 4K-resolution movies. You can even start editing on iPhone or iPad, then finish on your Mac.

Download iMovie for iOS
Download iMovie for macOS

Make Movies

Cinema Grade Plugin For Final Cut Pro Cost

Easy. From the first
scene to the last.

Whether you’re using a Mac or an iOS device, it’s never been easier to make it in the movies. Just choose your clips, then add titles, music, and effects. iMovie even supports 4K video for stunning cinema-quality films. And that, ladies and gentlemen, is a wrap.

Edit Like a Pro

With iMovie, create professional-looking videos without an editing degree. Easily add photos and videos to projects, trim clips with your finger, add seamless transitions, and fade audio like a pro.

High-Fidelity Filters

Choose from 13 creative video filters that add a cinematic touch. Give your film a nostalgic silent‑era style, a vintage western appearance, or a fun comic book look. It's simple to apply filters to individual clips or your entire movie, and adjust the intensity on your iPhone or iPad.

Extra-Special Effects

Make action shots more exciting by slowing them down. Let viewers fly through scenes by speeding them up. Or add a broadcast feel to your school report with picture-in-picture and split-screen effects.

Soundtracks, Simplified

Rock your video with over 80 smart soundtracks on iOS that intelligently adjust to match the length of your movie. You can also add built-in sound effects or record your own voiceover to create a video that sounds as good as it looks.

Whether you're making a silent film, moving a story forward, or simply have something to say, iMovie titles and backgrounds let you quickly create personalized title cards, credits, and more on your iPhone and iPad. Easily customize titles by choosing your favorite fonts and colors, pinching to scale, placing them over photos or videos, and then positioning them onscreen wherever you like. Plus, you can select background colors, gradients, and patterns, adjust title and background durations, or even add a graphic or logo to make your mark.

Appear Anywhere

Transport yourself with green-screen effects.

Go everywhere you’ve always wanted to — without leaving home. With green-screen effects in iMovie for iOS and macOS, you can place yourself or your characters in exotic locations with a tap or a click. Masking controls and strength adjustments let you fine-tune the effect for maximum believability.

You have hundreds of videos. And one big dream to be a moviemaker. iMovie trailers let you quickly create fun, Hollywood-style movie trailers from all that footage. Choose from a range of templates in almost any genre, pick your studio logo, and type in your movie title and credits. Then add photos and videos to the storyboard. Whether you’re using an iPhone, iPad, or Mac, you’ll have an instant blockbuster.

iMovie for iOS and iMovie for macOS are designed to work together. You can start cutting a project on your iPhone, then use AirDrop or iCloud Drive to wirelessly transfer it to your iPad. You can also send a project from your iPhone or iPad to your Mac for finishing touches like color correction and animated maps. And you can even open iMovie projects in Final Cut Pro to take advantage of professional editing tools. Time to take a bow.

iMovie on MacBook Pro

You have a great touch
for making movies.

iMovie is even easier to use with MacBook Pro, featuring the revolutionary Touch Bar. The most useful commands automatically appear on the keyboard, right where you need them. And MacBook Pro easily powers through demanding 4K video projects so you can edit and export in record time.

iMovie on iPad Pro

A powerful performance in every movie.

Best

iMovie delivers a tour de force on iPad Pro. Work with multiple 4K video clips. Create effects like green screen, picture‑in‑picture, or split screen and play them back instantly. Use the all-new Magic Keyboard for iPad Pro with trackpad support for an extra level of speed and precision when editing. And with the USB‑C port on iPad Pro, you can connect to an external display to show others your latest cut in 4K while you work.

iMovie in the Classroom

Assignments that
come to life.

Engage your students through video storytelling. Students can use green-screen effects to go back in time for history projects, or create split-screen and picture-in-picture effects to report on current events. Drag-and-drop trailers make it even simpler to create beautiful, personal projects that look and sound great. And iMovie for iOS works with ClassKit, so teachers can assign projects to students, and students can easily hand in their finished assignments right from the app.

Make Movie Magic.

iMovie is easy to use, and it’s free. Just click to download and install on your Mac or iOS device.

Try Clips.

Clips is a free iOS app for making and sharing fun videos with text, effects, graphics, and more.

Cover image via

Color grading doesn’t have to be a mystery. These programs and plugins make the process faster and easier than ever.

Top image via Lee Campbell

If you aren’t a full-time colorist, odds are you won’t be diving into the likes of FilmLight’s Baselight, AutoDesk Flame’s Lustre, or specific programs like REDCINE-X. You’re probably just looking for a quick way to get results that make your client happy.

Here are some of the best programs and plugins for video editors to make a quick color grade.

DaVinci Resolve


Image via Blackmagic Design

Blackmagic’s DaVinci Resolve is one of the industry standards for color work. The reason it makes the list for video editors — the latest version (12.5) includes a built-in NLE. Blackmagic wants to become the go-to place for all things post-production, and they are well on their way to making DaVinci Resolve a major program outside of color circles.

DaVinci Resolve can be intimidating, as the color work is node-based — but there are a ton of tutorials online, and the amount is growing. Diving into all the specific tools requires an article much more in-depth than this, but here are a few tools for basic color grading.

In the Color tab, you will be presented with a variety of tools. This includes Color Match, Color Wheels, RGB Mixer, Curves, Windows, and more. The Color Match tool works great with color charts to instantly match the environment the footage was shot in. It will give you true color results at the click of a button.

Next to the Color Match icon, you will see the traditional Color Wheels tab. There you will see three workspace options — Primaries Wheels, Primaries Bars, and Log.

The Primaries Wheels are the Color Wheels you will see in nearly every color grading program. DaVinci Resolve uses Lift (shadows), Gamma (midtones), Gain (highlights), and Offset. Offset is used to raise or lower everything in each channel. To control each wheel, just drag the circle toward the color you want. (You can reset the tool by double clicking on the circle.)

Quick note — DaVinci Resolve was designed to be used with a color grading surface. If you’re like me and don’t have $30,000 for the Advanced Panel, check out these more affordable color grading tools.

DaVinci Resolve 12.5 is available for free in the lite version of the software. The full Studio suite goes for $995.

Adobe Premiere Pro CC (Lumetri)

The Lumetri panel has grown tremendously in the past few iterations of Premiere Pro. Originally a drag-on effect, Premiere Pro CC 2017 has a full-on color grading tab. When entering the Color panel, you will be met with all the traditional Lumetri effects, as well as more traditional tools like color wheels.

The side panels are split into six default menus — Basic Correction, Creative, Curves, Color Wheels, HSL Secondary, and Vignette. Each tool works independently of each other, so changing the Creative color wheels is not the same as changing the actual Color Wheels.

The Basic Correction panel allows you to use an Input LUT (look up table), adjust White Balance, Tone (exposure, contrast, etc), and Saturation. These are each controlled with sliders. (If you don’t like an adjustment, just double-click the slider circle to reset.)

The Creative menu allows to to use .Look files, which are specific to working in Lumetri. If you like a “look” you are working on, you can save the adjustments as a preset. You can also download free look files to apply. Additionally, you can adjust the Intensity of the applied look. Within the Adjustments drop-down, you will see options to, well, adjust things like Faded Film, Sharpness, Vibrance, Saturation, and Tint Balance. (Note that this is not the same Saturation slider mentioned in the Basic Correction panel.)

For the sake of brevity, the rest of the panels are rather self explanatory. Curves allows you to adjust RGB Curves and Hue Saturation. The Color Wheels act as traditional controls for Shadows, Midtones, and Highlights. The HSL Secondary will allow you to select color ranges and adjust the Hue, Saturation, and Lightness. You can also refine the image with the Denoise and Blur options. Under Correction, you will see the original color correction tool from Premiere, controlled by a single color wheel and basic color sliders. Finally, Vignette adjusts the vignette.

Lumetri is included with Premiere Pro. You will need an Adobe Creative Cloud subscription.

Final Cut Pro X (Color Board)

With the latest overhaul of Final Cut Pro 10.3, Apple made an overhaul to the entire face of the NLE — but the color grading remains similar. You will need to apply a Color Correction effect to a clip, and then use the Color Board to adjust the look of the footage. You will adjust four pucks on the board — one each for Shadows, Midtones, Highlights, and Global.

Final cut pro x pluginCinema Grade Plugin For Final Cut Pro

I’m personally not a fan of this, but I understand its theory of simple adjustments. I’d much rather use an FCPX plugin for color — which I’ll cover next.

The Color Board is included with FCPX.FCPX is available for $299.

Color Finale

What FCPX lacks in color grading, Color Finale makes up for. This plugin is specific to FCPX, so if you aren’t a Final Cut Pro X user — skip ahead. Color Finale is a product of Color Grading Central, which has a great community for all things color grading related.

Color Finale adds a free floating window to FCPX. Inside the window are Color Wheels, Color Sliders, Auto White Balance controls, and the Secondaries Vector tool. The Pro version of Color Finale features some workflow management tools for those working in ACES. Here’s a look at the plugin in action.

Color Finale requires FCPX 10.2.3 or higher. It’s available as a FREE 7-day trial, $99 Standard version, and $149 Pro version.

FilmConvert

FilmConvert is an emulation software that gives digital footage a film feel with grain and color effects. It works on a multitude of NLEs and platforms, including Premiere Pro, FCPX, Avid Media Composer, DaVinci Resolve, After Effects, Sony Vegas Pro, and as a standalone platform. There are also camera profiles for a variety of cameras, likes ARRI, Canon, Sony, Blackmagic, GoPro, and DJI.

FilmConvert is compatible with Mac and PC workflows.The video plugins start at $149, and all versions can be had in a $219 bundle.

Red Giant Magic Bullet Suite (Colorista)


Image via Red Bullet

Colorista is a standalone color grading plugin for Premiere Pro and After Effects. By dragging the Colorista IV effect to your NLE timeline, you will gain access to a three-wheel color corrector, a guided workflow to balance shots, LUTs, RGB curves, color key tool, skin overlays, and hue control. It also integrates itself with Adobe’s masking and tracking features.

Odds are you have heard of Red Bullet Colorista, but Colorista is actually part of the much larger Magic Bullet Suite 13. All of the following can also be purchased individually or together as the Magic Bullet Suite.

Cinema

Looks allows you to color correct and apply popular television looks in seconds. Mojo is similar to Looks in that it applies popular looks immediately, though Mojo delivers cinematic looks, sports videos, and fashion films. Film applies the look of twenty-two negative film stocks and four print stocks. Denoiser removes noise and grain, and Renoiser adds cinematic texture and film grain. Finally, Cosmo is a beauty tool, designed to apply digital makeup and cosmetic cleanup.

Colorista IV is available as a free trial, $99 for the Academic version, and $199 for the Full version. The entire Magic Bullet Suite is available for $899, which will save you $394.

NewBlueFX Color Fixer Pro and Colorfast

Final Cut Pro Plugins Free

Color Fixer Pro is a FREE color grading plugin for Premiere Pro, After Effects, Avid Media Composer, Final Cut Pro X, DaVinci Resolve, and Sony Vegas Pro. It has ten customizable presets, white balance tools, and film lighting curves.

If you like the plugin, you can consider upgrading to Colorfast — a color correction and color grading plugin that includes sixty-five presets and the tools to create your own looks.

Cinema Grade Plugin For Final Cut Pro X

Color Fixer Pro is available for FREE. Colorfast 2 is available as a free trial and a $99 purchase.

What are your go-to color grading tools as a video editor? Share your opinions in the comments below!